Author: adminfuseum

  Straticromia (1954) In this artwork, it is possible to find traces of an archaic representation, with anthropomorphic figures emerging from a background in relief.

  Cromoggetto (1969) This artwork is rich in mechanical components, among which it is possible to pinpoint parts of cars and bicycles. Brajo Fuso uses

  Era dei sacchetti di plastica gestuale (Gestural plastic bags era) (1970) In this artwork, the plastic is the protagonist, as a recontextualised recycled material.

  Straticromia gestuale N. 14 (1951) This artwork is one of the few representing the evident transition from figurative to abstract art. It results from

  Senza titolo (untitled) (1969) This painting is a unicum in the production of Brajo Fuso; it might represent a point of contact with Romeo

  Senza titolo (Untitles) (no date) Faces are a cross theme in the free and childlike art of Brajo Fuso. It is possible to find

  Cromoggetto (1959) This artwork is a layering of different types of scrap materials. Among materials that seem to most interest Brajo Fuso there is

  Era dei satelliti (Satellites era) (no date) This artwork belongs to the brief cosmic period of Brajo Fuso. In 1969, he experimented on single

  Acidocromo gestuale (1957) This artwork is a study of the most intimate features of materials. Like a modern alchemist, Brajo Fuso studies the possibility

  Metalloceramica (1968) In this artwork, Brajo Fuso creates a mix of materials, in particular ceramic and metal. He prefers an almost alchemical chromatic purity