Category: Gallery

  Senza titolo (untitled) (1969) This painting is a unicum in the production of Brajo Fuso; it might represent a point of contact with Romeo

  Senza titolo (Untitles) (no date) Faces are a cross theme in the free and childlike art of Brajo Fuso. It is possible to find

  Cromoggetto (1959) This artwork is a layering of different types of scrap materials. Among materials that seem to most interest Brajo Fuso there is

  Era dei satelliti (Satellites era) (no date) This artwork belongs to the brief cosmic period of Brajo Fuso. In 1969, he experimented on single

  Acidocromo gestuale (1957) This artwork is a study of the most intimate features of materials. Like a modern alchemist, Brajo Fuso studies the possibility

  Metalloceramica (1968) In this artwork, Brajo Fuso creates a mix of materials, in particular ceramic and metal. He prefers an almost alchemical chromatic purity

  Vaso tipo totem (Vase similar to a totem) (1950) This artwork includes both traditional elements and breaking points in Brajo’s art. This vase is

  Cromoggetto (1950) The artwork uses wire mesh extensively. Wire mesh is an object taken from a non-artistic context and it changes its function. In

  Friuli, Gemona (1976) This large-format artwork is inspired by a news report: the earthquake that hit the city of Gemona, in Friuli, in 1976.

  Elleno (1969) Elleni is a series of anthropomorphic statues made of recycled materials. They were made after the artist reflected on the accusation made